My work grows out of the meeting between landscapes.
I shape vessels and sculptural works using sand from the golden deserts of the United Arab Emirates and from Fanø, a small windswept island on the Danish west coast. Two places, worlds apart, yet connected through material and carried into form through clay.

In the spring of 2026, I am working intensively with hand-collected wild clay from Fanø. Clay gathered with deep respect for the site and its natural environment, originating from the Wadden Sea landscape — a UNESCO World Heritage site. For me, this work is about remaining true to the place I am in and allowing the material to carry its own history forward into the work.

I am drawn to raw, dramatic structures — surfaces that hold the strength and intensity of the material itself. Working with oxides, clays, and natural substances, I allow sands, grains, and minerals to remain visible, unrefined, and full of energy.